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BATCAT

From the Batcat series , Vol. 1

Spooky fun, with a theme that’s relevant on Halloween and every other day besides.

The adventures of a creature who is not entirely one thing or the other.

A ghost has made itself at home in Batcat’s comfy Spooky Isle treehouse, hogging the remote and stealing snacks. Batcat goes to the island’s witch—who is “neither a good witch nor a bad witch,” but, like Batcat, “somewhere in between”—for a magical solution. Gathering ingredients for the promised spell leads to scary and thrilling encounters with true bats in the “cavernous caves,” snotty cats in the graveyard, and a pair of wise griffins (who, as half-birds, half-lions, are also not one creature but parts of several), and eventually Batcat resolves nagging identity issues by accepting that they are unique in themself. The message is clearly in the driver’s seat here, but the story and the visuals are sturdy and charming enough to carry it easily. In the full-color art, Ramm depicts Batcat as a rotund, Pikachu-cute figure with whiskers, pointy ears, and small (but working) wings. Likewise, for all the impenetrable darkness, mysterious graveyard screams, and seemingly deadly hazards of the spooky stops along the way, the smiling, brown-skinned witch (the only human figure) and the rest of the spectral, undead, and mythological cast have benign looks that keep the overall tone light.

Spooky fun, with a theme that’s relevant on Halloween and every other day besides. (Graphic fantasy. 7-10)

Pub Date: March 28, 2023

ISBN: 9781419756573

Page Count: 96

Publisher: Amulet/Abrams

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

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Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 13, 2018

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DOG MAN

From the Dog Man series , Vol. 1

What a wag.

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What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.

Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.

What a wag. (Graphic fantasy. 7-9)

Pub Date: Aug. 30, 2016

ISBN: 978-0-545-58160-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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